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Picasso’s Cubism --Woman Holding Her Foot: This 8-page essay examines Cubism as it relates to Picasso’s “Woman Holding Her Foot.” The ways in which this painting reflects the overall Cubist art form is also explored in specific, historical terms. Bibliography lists 6 sources. SNCubism.doc
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8 pages (~225 words per page)
File: D0_SNCubism.doc
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by Susan A. Nelson - June, 2001 For More Information On This Paper Please Cubism, is certainly one of the
most influential art movements of the 20th century, and was developed by Spains, Pablo Picasso (1881-1973) and French native, Georges Braque (1882-1963). Reportedly, both artists were significantly inspired in
this new direction by African sculpture, fellow painters Paul C?zanne, Georges Seurat, and by the Fauvists (Artlex, 2001 and See Also Shapiro, 2001). Moreover, to say that Picasso
dominated Western art in his century is today so commonplace that it borders on being a clich?. Assuredly, he is the greatest figure in modern Spanish art. No
painter or sculptor -- not even Michelangelo -- had been as famous (while alive) as Picasso, and before his 50th birthday he had become the very prototype of the modern
artist. To date, no painter has amassed such an appreciative audience in his own lifetime (Hughes, 1998). This essay examines one of this artists paintings relative to
its influence by Cubist art, and its relationship to the history of that artistic movement (Hughes, 1989, Artlex, 2001 and Pablo Picasso - Woman Holding Her Foot, 2001).
One of Picassos widely acclaimed Cubist paintings, the 1907 Woman Holding Her Foot is a fine example of this artist at his Cubist best
(Evans-Smith, 1991 and Shapiro, 2001). Furthermore, this was the year that Cubism first took hold (Artlex, 2001). Taking its beginning from the aforementioned African sculpture and
artistic peers, Cezanne and Seurat, Cubism then made a radical departure. (Initially, Picasso and Braque instigated the movement by following C?zannes advice when he asserted that artists should treat
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