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6 pages in length. American Concert Dance has long been a much appreciated art form, in that it allows a person to express a collage of innermost feelings. It has thrived throughout the decades, entertaining the likes of presidents and rulers, peasants and the general populace. Therefore, it is curious to think that people should wonder why American Concert Dance is such an integral part of human expression. Without question, there are a great many misconceptions about dance attributed to such fallacy, first and foremost having to do with the idea that poetry is, for the most part, an insignificant extravagance for the high brows who have an abundance of time to waste. Indeed, nothing could be further from the truth, as is clearly demonstrated by the following four American Concert Dance choreographers: Isadora Duncan, Merce Cunningham, George Balanchine and Lucinda Childs. Bibliography lists 12 sources.
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6 pages (~225 words per page)
File: LM1_TLCdance.doc
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to the other. Often represented in such bodily movement are rage, love, happiness, sorrow and despair. Indeed, dance is an avenue for the performer to release the inner
struggles that can be set free through no other means than motion. It can be a catharsis to ones ailing heart as much as it can be a conduit
between two otherwise strangers. Dance is as diverse a means of communication as any medium, yet there are vast arrays of elements that make up this very unique and
specialized form of expression. American Concert Dance has long been a much appreciated art form, in that it allows a person to express
a collage of innermost feelings. It has thrived throughout the decades, entertaining the likes of presidents and rulers, peasants and the general populace. Therefore, it is curious to
think that people should wonder why American Concert Dance is such an integral part of human expression. Without question, there are a great many misconceptions about dance attributed to
such fallacy, first and foremost having to do with the idea that poetry is, for the most part, an insignificant extravagance for the high brows who have an abundance of
time to waste. Indeed, nothing could be further from the truth, as is clearly demonstrated by the following four American Concert Dance choreographers. I. PRE-MODERN DANCE Isadora Duncan,
who experienced an untimely death under the wheels of her own vehicle, choreographed her dances much the same way she left this world: fervently and with unmitigated passion. The Rubbaiyat
is just one example of Duncans newly-developed style of dance that incorporated natural breathing as it identified with the "ebb and flow of ocean waves" (Anonymous, no date, p. isadora.html).
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