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A 3 page paper that examines Wassily Kandinsky’s Sketch I for Composition VII, Franz Marc’s Large Blue Horses, and Max Beckmann’s Self Portrait with Horn. Bibliography lists 6 sources.
Page Count:
3 pages (~225 words per page)
File: JA7_RAkamab.rtf
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listed below. Citation styles constantly change, and these examples may not contain the most recent updates. Paintings by Kandinsky, Beckmann, and Marc
Research Compiled for by J.A. Rodgers, July 2010 To Use This Paper Properly, Please Introduction In
the early part of the 20th century there were many artists creating intriguing pieces of work that were very unique and different. A very powerful movement was the Expressionist movement
to which many artists belonged. It could well be stated that Wassily Kandinsky, Franz Marc, and Max Beckmann were all Expressionists. The following paper examines Wassily Kandinskys Sketch I for
Composition VII, Franz Marcs Large Blue Horses, and Max Beckmanns Self Portrait with Horn. Paintings by Kandinsky, Beckmann, and Marc Wassily
Kandinskys Sketch I for composition VII 1913 (likely in a museum in Moscow) (could also be considered to be titled simply Composition VII), is an incredibly colorful painting
that does not appear to depict any particular object, which contrasts to the other two paintings under examination as they are painting of recognizable objects. In this painting, however, there
is movement and a powerful sense of energy that comes through in the artists use of direction as the objects, or potential objects, seem to be flowing. This is further
enhanced by a sense of blurring to the paint that couples with the bright colors and clear lines as well. Pioch (2002) comments how, "Kandinsky, himself an accomplished musician, once
said Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings" (Pioch, 2002). Such a musical perspective can strongly be associated with this
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