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Out of the Frying Pan & Into the Fire - The Changing Role of Women Since 1970

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A 4 page paper that examines the changing role of the female gender since the implementation of the sex discrimination laws and protection of the late 1960s and early 1970s. Discussed are the dual role identities faced by women of the 1970s and 1980s as well as the achievements gained in the 1990s. Bibliography lists 5 sources.

Page Count:

4 pages (~225 words per page)

File: D0_LCwomen.doc

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Unformatted sample text from the term paper:

1970s and 1980s as well as the achievements gained in the 1990s. Bibliography lists 5 sources. LCwomen.doc Out of the Frying Pan & Into the Fire - The Changing Role of Women Since 1970 Written by Linda Canada 08/2000 Please I. Coming Out of the Kitchen In September of 1966, America heard its last "Oh, Rob" as one of its sweethearts, the lovable, docile Laurie Petrie, keeper of home and hearth for husband Rob Petrie on the top-rated television series The Dick Van Dyke Show, took her final bow along with the rest of the cast. A short four years later, in September of 1970, she was back on the air and back in the living rooms of America as Mary Richards in a new series, this one titled The Mary Tyler Moore Show. Soon it was obvious that more than her name had changed. The year 1970 was a banner year for womens rights, for it marked the era when sexual discrimination against the female gender began to gain both momentum and attention, not only nationwide but worldwide as well. During the previous year a woman named Bernice Resnick Sandler, while examining a presidential footnote on a Civil Rights amendment from 1968, discovered that President Johnson had added an addendum that outlawed employment discrimination on the basis of not only race, but also gender (Sandler 1). The war of the woman was on, and Mary Richards was the perfect role model for the up and coming generation of liberated females. Gone was the apron, gone was the frying pan, gone was the husband. In the space of four years, the characters that Mary Tyler Moore ...

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