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Essay / Research Paper Abstract
A 5 page paper discussing Iago's ability to deceive as presented in Act III Scene 3. Iago exhibits the behavior of the "frog years" of middle school, where normal children begin to learn the real lessons of life and the value of honesty in relationships. If they learn well enough, those entering middle school as frogs emerge as higher forms. Iago never continued that progression of maturation, if indeed he ever began it. As an adult, he has a much wider repertoire of methods of infecting others with his malicious, murderous ability to hate. Bibliography lists 1 source.
Page Count:
5 pages (~225 words per page)
File: CC6_KSshakOthI.rtf
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Unformatted sample text from the term paper:
behavior of the "frog years" of middle school, where normal children begin to learn the real lessons of life and the value of honesty in relationships. If they learn
well enough, those entering middle school as frogs emerge as higher forms. Iago never continued that progression of maturation, if indeed he ever began it. As an adult,
he has a much wider repertoire of methods of infecting others with his malicious, murderous ability to hate. Planting the Seed
Iagos apparent dedication to Othello is gratifying to the Moor. Othello believes Iago to be as honest an individual as he will ever
find, and he believes Iago to be a true friend. Iago does have a reputation for honesty, one that he has carefully and connivingly crafted for himself. He
has portrayed himself as a man of honor for so long and in such a self-deprecating manner that he has endeared himself to those he wants most to destroy.
For his purposes, Iago could have no better position. He possesses the will and ability to introduce to Othello doubt of Desdemonas love
for the Moor, and he does so with artful and apparent reluctance. He plants the seed of doubt for Othello without ever making
a clear accusation. Making Iagos deceit even worse is the fact that he is both intelligent and patient. Iago is no fool, and he is able to accomplish
his purpose without ever uttering a word that later could be used against him. He cannot be accused of intentionally lying about the fictitious relationship between Desdemona and Michael
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