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Essay / Research Paper Abstract
A 5 page paper which examines a particular scene from
Shakespeare's "Othello." The scene is that which involves Emilia's discovery of
Desdemona's handkerchief and her decision to give it to her husband Iago, unaware of his
intentions. This scene is discussed in terms of character, setting, symbolism, language,
tone, revelations about character, foreshadowing, conflicts, subplots, and transformations.
No additional sources cited.
Page Count:
5 pages (~225 words per page)
File: JR7_RAotheml.rtf
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Unformatted sample text from the term paper:
entire story. Shakespeares works are perhaps renowned for this reality. In one simple scene we gain an understanding of the plot, the conflicts, characters, and many other elements important to
the story. In Shakespeares "Othello" we focus on one particular scene, coming from Act II, Scene iii, wherein Emilia holds the fate of many people in her hand, though she
does not know it. In examining this scene we discuss character, setting, symbolism, language, tone, revelations about the character, foreshadowing, major conflicts, subplot, and transformations. Act III Scene iii
Emilia is Iagos wife and also the lady-in-waiting to Desdemona. She is an innocent who serves to complicate the plot. We note her simplicity and her innocence as Iago has
constantly urged her to steal Desdemonas handkerchief, that which was given to Desdemona by Othello. Emilia is trusting, and ignorant as well. Her speech, as well as her placement in
the setting, serve to clearly push the theme of deceit and confusion along. We note her first powerful step in the play in the following, where she has come across
Desdemonas handkerchief: "I am glad I have found this napkin: This was her first remembrance from the Moor: My wayward husband hath a hundred times Wood me to steal it;
but she so loves the token, For he conjured her she should ever keep it, That she reserves it evermore about her To kiss and talk to. Ill have the
work taen out, And givet Iago: what he will do with it Heaven knows, not I; I nothing but to please his fantasy" (III, iii). As we can see,
from her language, she is completely ignorant of Iagos activities. She is essentially stupid. We, as the reader or the viewer, have come all this way in the story, knowing
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