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Essay / Research Paper Abstract
3 pages in length. When "Nefertiti and the Royal Women" was on loan to the Metropolitan Museum of Art in 1996, the public was treated to a veritable feast of historic Egyptian art. The writer provides a detailed description of Nefertiti's bust. Bibliography lists 1 source.
Page Count:
3 pages (~225 words per page)
File: LM1_TLCNefMet.rtf
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Unformatted sample text from the term paper:
bust that Thutmose sculpted of Queen Nefertiti marked a time in Egyptian art history when the human form took on a true appeal. Subsequent to this significant transitional period,
physical features were less than flattering, with necks typically over exaggerated and other characteristics working to draw away from the human form rather than towards it. The sculptor of
Nefertitis beautiful bust is said to have set a precedent that continued to progress throughout the artistic world. Size no longer reflected importance, as vivaciousness and a physical complexity
represented the new approach. Thutmose employed the use of limestone in order to sculpt Nefertiti so the bust would reflect her true beauty, which survived under a sea of sand
until German excavators rediscovered it in 1912. The artist possessed an incredible talent for capturing the accuracy of human facial and cranial features, which is why his bust of
Nefertiti is so much more delicate than any other that came before his. Known as "composite statuary," Thutmoses style incorporated separate pieces of sculpture that were bonded together, which
ultimately rendered his work significantly more realistic than Beks, allowing for Nefertitis unique features to evolve from vague to distinct. The manner in which Thutmose created Nefertitis limestone bust was
by plastering and richly painting the stone core. Working to give the queen as much of a lifelike appearance as possible, flesh tones were applied to the face for
realistic look, as well as prominent red lips. Her eyes were recreated by using crystal inlays, while distinctive black liner contours her brows and eyelids. Her trademark elongated
neck is adorned with vivid jewelry, while a lofty crown sits atop her head, both of which are colored in such a way as to set off her lustrous complexion.
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