Here is the synopsis of our sample research paper on Nauman, Benglis, Whiteread and Their Art. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
An 11 page research paper that examines and analyzes the work of Bruce Nauman, Lynda Benglis and Rachel Whiteread, three modern art sculptors. Bibliography lists 14 sources.
Page Count:
11 pages (~225 words per page)
File: KL9_kh3modarts.rtf
Buy This Term Paper »
Unformatted sample text from the term paper:
three artists describes their work and how each artist relates to and is involved with their art, while offering analysis of several of works by each artist. Bruce Nauman
When Nauman graduated from the University of California at Davis in 1966 with masters degree in art, with a focus on sculpture, he accepted a position teaching sculpture at the
San Francisco Art Institute and moved into a building that previously been a grocery store.1 Across the Mylar-covered windows that had once promised the simple pleasures of a small grocery,
Nauman inscribed a legend suggests that Naumans art is not easily tied to classifiable standards of the media, but rather makes the argument that his art relies on other criteria
and insists on not being held to traditional conceptualizations of what sculpture is or should be.2 Nauman, between the years 1969 and 1974, created a several sculptural installations that
can be described as hybrid, and sculptures interacted assertively with the bodies in terms of sense perceptions, as well as with the minds of viewers.3 In these works, sculpture
becomes intertwined with architecture in a manner that transforms the viewers role from being a passive witness to that of active participant.4 For instance, Nauman constructed a narrow corridor, which
has a closed circuit video camera located at its far end.5 This camera captures the image of the viewer, which is then
broadcast on a video monitor that is part of the work.6 As this indicates, the viewer becomes physically involved with the work, and, in fact, the completion of the viewer
with the work is an intricate part of the process that completes the work, making its completion contingent upon interaction with the viewer.7 In other words, the work is not
...