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Essay / Research Paper Abstract
5 pages in length. Creating an institution such as the National Museum of Women in the Arts is bound to bring both critics and supporters alike, inasmuch as there will be those whose opposition would stem from the fact that the museum's focal point was only that of female artists. Backers of such a project, however, would support it for that very reason, being that women have typically been overlooked in an historical context when it has come to artistic recognition. The writer discusses the benefits and drawbacks of constructing the National Museum of Women in the Arts. Bibliography lists 3 sources.
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5 pages (~225 words per page)
File: LM1_TLCmusem.doc
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opposition would stem from the fact that the museums focal point was only that of female artists. Backers of such a project, however, would support it for that very
reason, being that women have typically been overlooked in an historical context when it has come to artistic recognition. "Why do [men] insist so brazenly that all wit belongs
only to them? That all strength belongs to them and finally also all value?" (Garrard, 1994, p. 556). I. MOTIVATION FOR SUCH A MUSEUM The motivation behind creating such
a museum comes from the desire to bring to light the many tremendous accomplishments women have made in the artistic world. Female contribution is so great, yet recognition has
been overshadowed by the massive attention offered to their male counterparts. If fortunate, women are allowed to share space in a museum that is generally chock-full of work by
male artists, with the display being only sparsely peppered with womens artistry. "If we can heighten the awareness of great achievement by women artists so they will be included
in major museums, and heighten the awareness of the inequities so theyll be corrected, thats a step in the right direction" (Shapiro, 1987, p. 113). II. SUPPORTIVE AUDIENCE OR
CONSTITUENCY One can imagine that the primary audience or constituency will likely be female supporters. Indeed, there will also be a significant number of men who will endorse the
womens art museum; however, for the most part, it can be argued that female backing will be most prevalent. Even though time has moved forward from centuries past, and
women have come into their own with regard to artistic recognition, it can still be said that the "prevailing attitudes about women artists" (Garrard, 1994, p. 556) remains second to
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