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4 pages in length. Eclectic in both personal and professional style, Goldin's work is instrument in setting precedents where other photographers have typically been too self-conscious of or untouched by the inherent power of normal human behavior. The show, which displays four dozen color and black/white photographs spanning Goldin's career, set the stage for an event that whisks audiences into the uniquely perverse - yet highly emotional - world of an American artistic icon. Bibliography lists 4 sources.
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File: LM1_TLCGoldin.rtf
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of normal human behavior. The show, which was held in early 2007 and displayed four dozen color and black/white photographs spanning Goldins career, set the stage for an event
that whisks audiences into the uniquely perverse - yet highly emotional - world of an American artistic icon. The audience is a collective extension of Goldins diversity and willingness to
look at the world from a vantage point not many others consider valuable. Goldins photography is about human nature - the very truth of human nature - which is
why it is often painful to accept. Her work represents all that is the human experience, a pertinent reason why it appeals so greatly to a limitless audience.
One can surmise how audience members gain the same level of appreciation for Goldins discipline, passion, talent and compelling sense of enthusiasm for the photographic elements of this exhibit; her
devotion to the art of two-dimensional depiction is an uncompromised commitment to the tenets of postmodernism. Depicted within this talent is an understanding of how there is considerably more
to erotic photography than the bodys mere presence; rather, there is a plethora of emotion, feeling and poise that must emanate from within the subjects soul in order answer the
call of meaning so critical to the postmodern movement. The photography unarguably becomes one with the mood, camera shot and overall climate of passion that resonates from her subjects
very being. She is, in truth, fully immersed within every picture. While endeavoring for the extreme, Goldin accomplishes her objective in a
decidedly unusual fashion by refusing to follow any of societys guidelines with regard to expressing her creativity; her sometimes misunderstood yet always-intriguing photographs reflect a hidden social subconscious to which
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