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Essay / Research Paper Abstract
A 5 page essay that analyzes the book by Carmen Laforet. Nada is the first novel written by noted Spanish author Carmen Laforet. First published in 1944, some critics have regarded this work as autobiographical as it recounts the spiritual desolation of a country emerging from civil war. Many have regarded this work as a feminist reworking of the Bildungsroman or "novel of maturation." However, others have offered a contrasting point of view that the main character, Andrea, does not appear to adhere to this model of development due to her extreme passivity. The writer discusses alternate views and the essential symbolism of the novel. No additional sources cited.
Page Count:
5 pages (~225 words per page)
File: D0_Laforet.doc
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Unformatted sample text from the term paper:
regarded this work as a feminist reworking of the Bildungsroman or "novel of maturation." However, others have offered a contrasting point of view that the main character, Andrea, does not
appear to adhere to this model of development due to her extreme passivity. This view maintains that instead of overcoming obstacles, Andrea clings to them in order to give her
life meaning, and that while the work has feminist overtones, in many ways, it reinforces patriarchal norms. This point of view overlooks the fact that what Laforet is demonstrating
in Nada is a completely feminine point of view. The novel offers a pattern for understanding femininity that deviates completely from the male paradigm. It is a pattern where the
egos boundaries are not set firmly, but allow Andrea to merge and fully empathize with those around her. In this way, the novel does offer a unique feminist perspective.
It shows a pattern for maturation that is uniquely feminine. Additionally, Andreas relationships with other women in the novel offer something seldom found in literature. These relationships show the
depth of feeling that can exist between women, that while it may have a sexual component, goes beyond the merely physical. These relationships infer that a woman can only be
truly understood within the context of a relationship with another woman?whether thats within the original female relationship that exists between mother and daughter, or with another woman later in
life. Sexuality defines the overall tone of the novel. Andrea is a sexual being who desires are deflected through observations of others?Roman, Gloria, Ena, Gerardo. These relationships are shown
in all their complexity. Each one symbolizes another aspect of Andreas maturing sensibility. Her ultimate maturation comes when, eventually, Andrea chooses female friendship over heterosexual relationships. Throughout the narrative,
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