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Essay / Research Paper Abstract
A 6 page research paper that offers analysis and discussion of 3 works by these famous composers. The writer discusses Mozart’s Symphony no 33 in B-flat major (KV 319); the second movement of Tchaikovsky’s Symphony No. Six, the “Pathetique”; and the first tableaux from Stravinsky’s ballet Petrushka. Each section of the paper is roughly 2 pages in length. Bibliography lists 6 sources.
Page Count:
6 pages (~225 words per page)
File: D0_khmotst.rtf
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Unformatted sample text from the term paper:
of four movements: first movement, Allegro assai; second movement, Andante moderato; third, Menuetto; and fourth, Allegro assai. Within the realm of Mozarts mature symphonies, the B-flat major is the least
known (Tovey, 2001). Kochels number for this work is 319, which associates with Mozarts great serenades, which experts consider to be "really symphonies," with "some additional movements in concerto form"
(Tovey, 2001, p. 146). While there is no evidence that the B-flat Symphony was treated as a serenade, it has much in common with these works (Tovey, 2001). Tovey
describes the use of four themes within the first movement. In reference to the second movement, which is the slow movement, he describes it as a "terse and serious andante
moderato (Tovey, 2001, p. 148). Within this movement, Mozart offers the sonata form in miniature within the context of just ninety-six bars (Tovey, 2001). Within this framework, Mozart incorporates "epigrammatic
themes and episodic development," and, in so doing, "achieves an unexpected breath of effect" (Tovey, 2001, p. 148). This effect is enhanced and complemented by postponing the final return to
the main theme until the coda. Originally this symphony had no Minuet, but Mozart added one within a year or two of writing the rest of this work (Tovey,
2001). The final movement, which is similar to Symphony K. 338, consists of "lazy gallops" set to a fast-paced tempo, which, again, incorporates brevity as it is stated in just
in sixteen bars (Tovey, 2001). As usual the development episodic and it presents a contrapuntal characters, which causes the rhythm to overlap (Tovey, 2001). Tchaikovsky: Symphony No. 6, the
"Pathetique"-second movement In 1893, the last year of Tchaikovskys life, he wrote to his nephew, indicating that his new symphony, his sixth, would have a program, but that this
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