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Essay / Research Paper Abstract
(8 pp) The two comparisons we will make of
Impressionistic artistd are the first and almost
the last of the genre. Claude Monet and
La Grenouillere will be compared to Georges Seurat
Bathers at Asniers Bibliography lists 5 sources.
Page Count:
8 pages (~225 words per page)
File: D0_BBmonseu.doc
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Unformatted sample text from the term paper:
Written by B. Bryan Babcock for the Paperstore, Inc., November 2000 Introduction The two comparisons we will
make of Impressionistic artistd are the first and almost the last of the genre. Claude Monet and La Grenouillere will be compared to Georges Seurat Bathers at Asniers.
Impressionism Hollander (1998) in reviewing Meyer Schiparos Impressionism: Reflections and Perceptions (1998), reminds us that art is never created in a vacuum. The known art center for
the world at the time the Impressionists were forming their thoughts and their canvasses was Paris. It was a glittering and exciting world, and artists were actually seeing light
as subject matter. They wanted to capture the nuances it made on the water as well as the land at sunrise and twilight; it was not so much the
sense of light and shadow any more, as it was the sense of light as energy. That energy had a negative side when Napolean formally declare war on Prussia in
July of 1870. Many of the Paris artist quickly moved to London. After the fall of Paris in 1871 Monet moved to Holland Claude Monet (1840 -
1926) According to Waldron (1991) legend has it that Monet discovered his grocery purchase had been wrapped in a Japanese wood-bloc print in brilliant colors. He was intrigued, went
back to the store and bought all they had. The prints were strong bright colors; not all images were centered on the picture plane; strong diagonals grabbed the viewers
attention. The Impressionists saw in Japanese works definite proof that the known rules of art could be broken, that you could dispense with
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