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Essay / Research Paper Abstract
(5pp) One of the wonderful things about
old-fashioned roll-top desks, was that there were
many cubbyholes for sorting out "things;" then if
there was still too much mess, one had the option
of just pulling down the top cover and hiding it
all. There are times when we hope that is true
with the arts-that it can be arranged and ordered,
and that which we do not understand, can simply be
covered, or hidden. Artistic "modernism" was not
content with historic pigeon-holing and sought to
give voice to individualism, and expression to
that part of our world that was locked between two
world wars. The work of Baudelaire and Rilke in the
Moderist framework will be considered.
Bibliography lists 5 sources.
Page Count:
5 pages (~225 words per page)
File: D0_BBbadrlk.doc
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Unformatted sample text from the term paper:
with the arts-that it can be arranged and ordered, and that which we do not understand, can simply be covered, or hidden. Artistic "modernism" was not content with historic
pigeon-holing and sought to give voice to individualism, and expression to that part of our world that was locked between two world wars. The work of Baudelaire and Rilke in
the Moderist framework will be considered. Bibliography lists 5 sources. BBbadrlk.doc MODERNIST POETRY: Baudelaire And Rilke
Written by B. Bryan Babcock for the Paperstore, Inc., July 2001 Introduction One of the wonderful things about old-fashioned roll-top desks, was that there were
many cubbyholes for sorting out "things;" then if there was still too much mess, one had the option of just pulling down the top cover and hiding it all.
There are times when we hope that is true with the arts-that it can be arranged and ordered, and that which we do not understand, can simply be covered, or
hidden. Artistic "modernism" was not content with historic pigeon-holing and sought to give voice to individualism, and expression to that part of our world that was locked between two
world wars. Modernism According to Gelpi (1990), "the Modernist period, bracketed by the two world wars, bore a complicated and ambivalent relation to Romanticism, the dominant aesthetic and cultural ideology
of the nineteenth century." The Romantic response believed in personal intuition, and the emotional experience of the individual. The highest mode of thinking in the Romantic period
was produced by intuitive insight, and "constituted acts of genuine signification, which philosophers called transcendental Reason and artists called imagination." By contrast the Modernist period, grew from a belief
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