Sample Essay on:
Milan Knizak

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Essay / Research Paper Abstract

A 4 page paper which examines the work and influence of the Czech artist Milan Knizak. Bibliography lists 3 sources.

Page Count:

4 pages (~225 words per page)

File: JR7_RAmilan.rtf

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Unformatted sample text from the term paper:

are numerous and yet at the same time generally unknown to the average public art viewer. One of these individuals is Milan Knizak, one of the forces of the Fluxus art movement. In the following paper we examine what is available on this man, illustrating his influence and examining his work. Milan Knizak In first understanding something of Milan Knizak and his influence we look at the movement with which he is associated. "In 1962, the first Fluxus Festival took place in the City Museum of Wiesbaden. George Maciunas, a Lithuanian artist trained in New York, had conceptionalized a series of concerts under the title Fluxus International Festival of Most Recent Music" (ifa, 2003). As can be seen, it is more a foreign art movement, or perhaps more accurately, an art movement appreciated more by foreign countries, especially that of the Czech regions. The term fluxus then became "the term for concerts and events, manifestos and editions, which have taken place and/or been published mainly in Europe, the United States and Japan. The roots of the fluxus movement lie in the experimental directions of art at the beginning of the 20th century" (ifa, 2003). The artists who are involved in this movement "work on and with forms of art which transcend the existing categories of art, whether they come from music or language, from the fine arts or from dance" (ifa, 2003). And, interestingly enough, "Fluxus - in a free interpretation based on Lewis Carroll - means a long story with many knots. In order to tell, describe or present this story, the ifa exhibition documents original works by fluxus artists as well as the most important photographic, film and tape documents" (ifa, 2003). In essence, it is an art movement that takes previously assumed forms of ...

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