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Essay / Research Paper Abstract
30 pages in length. The writer discusses various social and political points pertaining to The Tempest, The Prince, Utopia and Divina Commedia. Bibliography lists 13 sources.
Page Count:
30 pages (~225 words per page)
File: LM1_TLCMediCult.rtf
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understanding of their work when one considers how Florences many attempts at upholding a representative government did not fare well to such an extent that it finally gave way to
rich aristocratic oligarchy with such dominating families as the Medicis standing firm throughout the fifteenth century. While authoritative government might not have been initially desirable, they ultimately proved quite
advantageous for such commodities as literature and the arts. This unprecedented wave of culture took firm root in Florence, which proved to supersede anything going on anywhere else in
Europe at the time. The Medici court saw its greatest hold upon the city in the middle of the fifteenth century when it "came to dominate all aspects of
civic life" (Van Helden, 1995). There are but a few elements that make up Dantes (1999) connection with Florence, one of which is
the inclusion of truth. It is this particular element that establishes a sense of reality like no other, inasmuch as the foundation of goodness cannot be relative to the
concept of expressing something factual or educational. To effectively understand the concept of truth as it pertains to The Divine Comedy and Dantes (1999) Florentine origin, one first must
ascertain the reasons why people are drawn to his work. Is it that poems are enjoyed for their scientific and specific remarks? No, that is not the case
with the mainstream. Is this literary work utilized for particular life lessons? Again, that is not the design of such verse. Rather, Dantes (1999) approach is absorbed
as a means by which people can share with the author the intense feelings that are inherently involved in such a transitional period. E io a lui: "I mi
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