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Essay / Research Paper Abstract
This 6 page essay explores film noir in relationship to historical context, the femme fatale, with focus on Billy Wilder's Double Indemnity. Bibliography lists 7 sources.
Page Count:
6 pages (~225 words per page)
File: JV57_JVfemfatal.rtf
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Unformatted sample text from the term paper:
screen, film noir has been debated for qualities of aesthetics and social meaning, as well as fantasy and where to place film noir in an historical context. No one denies
that noir is about the time in which it was created. The first film Double Indemnity was released in 1944 and chronicles the fears at the time. It is a
product of post World War II America when men came home from the war to find women doing their jobs. This blow to the identities they held before the war
created an immediate response to assert their authority, which was to return women to their roles as wives and mothers. Any woman who could not reverse her role was considered
evil. This is the historical foundation of film noir as portrayed in its debut film, Double Indemnity. The problem, as Elizabeth Cowie
put it is that there is a "continuing fascination with this fantasy long after the historical period that is supposed to justify it" (Harris 3). This serves the purpose for
which film noir was intended in 1940 along a continuum that continues today. For this reason, other reviewers have focused on the aesthetic qualities of film noir. Even with the
seductiveness of film noir, there is no dropping the history out of the debate. The genre remains couched in the subjugation of women. Background
Orr states that because of the changes to society in 1944, it was legitimate to explore male fears within the context of film noir. Double Indemnity does just that.
It represents the primal mother destroying those she was meant to protect and nourish "just to make some dough," as the characters would say. The film went one step further
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