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"Madonna Enthroned" Times Two: Cimabue and Duccio.

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(11 pp) One way that art history has been studied is to trace the development of the realistic portrayal of the human form through visual art. We move from the ideal of the Greek physical body, to the early Gothic Christian influence of linear and simple depictions, forward to the beginnings of the Renaissance where once more the human shape starts to develop a realistic identity. Bibliography lists 6 sources and 3 visuals.

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11 pages (~225 words per page)

File: D0_BBcimduc.doc

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of the Renaissance where once more the human shape starts to develop a realistic identity. Bibliography lists 6 sources and 3 visuals. BBcimduc.doc "MADONNA ENTHRONED" TIMES TWO: Cimabue and Duccio Written by B. Bryan Babcock for the Paperstore, Inc., February 2001 Notes to the student: You have requested what is called a "tutorial" for your paper. All that means is that you are smart enough to know that you need someone to help you with writing it. When I am speaking as your tutor or teacher I will be using this bold print. An example of the way your paper may be written will be in regular type. You may want to print two copies of your paper - one with the bold type and one in which you have deleted, or taken off the sample text. Thesis statement: As artists advance through that period known as the Renaissance they begin to take more risks to show the human body in a realistic fashion. This move towards visualizing what is "real" in the world also underscores the shift in social and political attitudes towards the importance of the individual in society Introduction One way that art history has been studied is to trace the development of the realistic portrayal of the human form through visual art. We move from the ideal of the Greek physical body, to the early Gothic Christian influence of linear and simple depictions, forward to the beginnings of the Renaissance where once more the human shape starts to develop realistic form. Cimabue (c.1240 - after 1302) The Man. There are still elements of doubt concerning not only the dates of birth and death ...

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