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Essay / Research Paper Abstract
A 5 page paper which examines the life and work of the artist Louise Nevelson. Bibliography lists 3 sources.
Page Count:
5 pages (~225 words per page)
File: JR7_RAnevel.rtf
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Unformatted sample text from the term paper:
see it, and you see it in nearly every 20th-century collection: the imposing wall of stacked boxes washed entirely in matte black paint, each box entombing cracked wood spindles, newel
posts, perhaps a small cabinet door" (Dawson, 2004). Interestingly enough, she did not do much of her well known work, or reach her peak, till she was in her 50s
(Dawson, 2004). The following paper examines the life and work of Louise Nevelson. Louise Nevelson Louise was born in Kiev, in the Ukraine, in 1900 "and moved to Rockland,
Maine, with her family when she was 6; her father had found work in lumber there" (Dawson, 2004). At a very early age she knew she wanted to be an
artist as that was the subject she got the best grades in. She felt she was an outsider and was quite determined that she would be an artist. One of
her opportunities arrived when she married and left home (Dawson, 2004). They moved to New York and she had a son, dabbling in many different mediums of artistic exploration. She
divorced from her husband years later (Dawson, 2004). Throughout her early life she dabbled, as mentioned, in many forms of art and while it was a powerful consistent
in her life her output was quite chaotic and uneven. In an examination of her art, and the development of her art, we present an analysis of an exhibit of
her work. In her 1927 work "Still Life With Pitcher" Dawson (2004) states that "her shadows look more like ghost images than forms cast by a light. A female nude
painted two years later has drapery as lumpy as mashed potatoes" (Dawson, 2004). A few years later we have her work titled "Maine Meadows, Old Country Road" which almost present
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