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Essay / Research Paper Abstract
4 pages in length. Loren D. Estleman has a style of writing that was born from the unlikely combination of conventional American writers and historical abstract artists, a coupling that has earned him the well-earned reputation of being a detective novel pro whose writing style is both based in visual imagery and a "traditional, tough-yet-tender" (Anonymous 70) manner. Bibliography lists 5 sources.
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File: LM1_TLCEstleman.rtf
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reputation of being a detective novel pro whose writing style is both based in visual imagery and a "traditional, tough-yet-tender" (Anonymous 70) manner. Considered "one of the great stylists
in contemporary fiction" (Breen), Estleman has made a place for himself alongside such revered crime writers as Raymond Chandler and Robert B. Parker with such imagery and command of words
that has classified him as one of the few genre authors "worth reading strictly for the beauty of their prose, their loving manipulation of language" (Breen).
Estlemans style of writing has long held readers captivated by the authors inherent ability to weave a web of double-crossing, desperate thugs whose attempts to break the
law are infused with eloquent dialogue and a snapshot of human nature at its worst. While he also writes Western novels, the crime story is what most people recognize
and appreciate. Amos Walker is the authors protagonist in myriad detective novels that illustrate the sorry side of mans incapacity to exist in his own world. Nicotine Kiss
brings with it a surreal sense of painful reality when the entire world was thrust into a state of panic, shock and confusion on a fateful September day. The
aftermath of this watershed moment - inclusive of the ever-present criminal lures that only capitalism can create - finds Estlemans hard-boiled yet compassionate detective Walker caught between the present state
of affairs and how they have changed over the past few decades, noting how he - himself - has also changed to stay up with those who keep him in
business: the criminals. "Walker, who first appeared in Motor City Blue (1980), is an old-fashioned loner private eye in a rapidly changing world. The first-person narrative approximates the
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