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Essay / Research Paper Abstract
A 6 page overview of the life and work of this early twentieth century literary figure. Contending that Hughes gained his inspiration from his African American culture and refused to depart from that culture to produce “white” poetry, the author suggests that Hughes has won his place in today’s literary canon. Bibliography lists 7 sources.
Page Count:
6 pages (~225 words per page)
File: AM2_PPltHugh.rtf
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Unformatted sample text from the term paper:
literature is composed of a diversity of styles and approaches. In the earliest years of African American history black literature was far too frequently little more than a mirror
of white literature. Literature of the time was stagnated by the fact that too little literature was produced by blacks in general. This is understandable to a degree
given that prior to their contact with the Europeans who would eventually put them in bondage information was passed on in an oral rather than a written format (Brewer, 1968,
Robinson, 1990). Southern blacks, in particular, produced little in terms of literature prior to the early 1900s. With the so-called Harlem Renaissance of the 1920s, however, the work
of several notable Southern black writers emerged. Among this emergence was the work of Langston Hughes. Trussell (2003) writes that Hughes poetry rang out in the literary world:
"Like the sharp peal of a jazz trumpet" announcing" to the world that the
streets of black America contained a culture rich and vibrant and fiercely poetic. This announcement was to become his lifes mission, something he foretold in this little piece written long
before his name became a beloved household word". Hughes not only originated in
the South but he drew from its colorful and sometimes turbulent culture to produce some of the most impressive African American poetry ever written. In all, he would produce
twenty-six books (Jackson, 2003). These included three autobiographies, two novels, sixteen collections of poetry, three collections of short stories, and four volumes of fiction (Jackson, 2003). In addition
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