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Essay / Research Paper Abstract
A 4 page discussion, comparison and contrast of Robert S. Duncanson’s “Blue Hole, Little Miami River” and Thomas Cole’s “The Oxbow.” Bibliography lists 2 sources.
Page Count:
4 pages (~225 words per page)
File: JR7_RAoxbw.rtf
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Unformatted sample text from the term paper:
were powerful painters of the wilderness that was the United States. Their landscapes stand as incredibly beautiful and powerful images of the nation, the wilderness, the nature, and the beauty
of the land. The following paper examines and analyzes each one separately and then compares and contrasts the two. Duncanson Duncansons painting is composed of many subtle earth
tones and there is no bright color to pull the viewers eye to one place or another. The painting is comprised of browns, muted greens, and even the sky seems
indistinguishable in terms of where blue sky may start and clouds end. It is, in other words, and incredibly soft painting that invokes powerful feelings of silent nature in a
very calm state. The focus of the painting is the body of water that sets central to the painting. It seems to be almost hugged by the shore that
wraps around either side of the painting into the foreground of the shore where there figures of humans on the shore. The background of the body of water sees the
beginnings of trees that go up to the sky, possessed of an almost triangular shape at the top of the painting. In many ways it is a very symmetrical painting
and nothing of clear importance runs off the canvas, which would carry the viewers eye off the painting and suggest other activity or entities. There are some boulders of gray
in the painting that break up the softness and calmness of the painting, and a subtle play of light in the background center in what appears to be a very
gentle and small valley between the trees, as if there is a path that leads out in front of the viewer. There is really no movement in this painting.
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