Sample Essay on:
Kinship and Capitalism in Francis Ford Coppola’s “The Godfather”

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Essay / Research Paper Abstract

This 7 page report discusses the series of stories that made up Francis Ford Coppola’s “Godfather” epic serve as an example of the ways in which the style and form of a movie is one of its most determining characteristics. With the “Godfather” stories, an entire culture was supposedly represented and defined. Millions of movie goers came to believe they now had an insight to the world of Mafia families and their ruthless social and economic behaviors. And yet, the most important issue was still family (with the occasional profit/loss statement thrown in). Bibliography lists 4 sources.

Page Count:

7 pages (~225 words per page)

File: D0_BWgodcap.rtf

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Unformatted sample text from the term paper:

at in the context of art, political power, and economics. The primary goal or purpose of art and politics is a combination of the will to express and to influence. Often, the aspect of modern life feeling the greatest influence is economics. It should be considered that many people believe that films are really a reflection of life. Certainly, they are. In many ways, the modern epics portrayed on the "big screen" serve as a means through which people view their world. For example, the series of stories that made up Francis Ford Coppolas "Godfather" epic serve as an example of the ways in which the style and form of a movie is one of its most determining characteristics. With the "Godfather" stories, an entire culture was supposedly represented and defined. Millions of movie goers came to believe they now had an insight to the world of Mafia families and their ruthless social and economic behaviors. Because style and form have a direct impact on how subsequent movies are shaped and then seen by the audience, it is clear that the "Godfather" series had to follow in the violent, passionate, and mercenary footsteps of the 1972 original. Interestingly, it was the first two movies -- "The Godfather" (1972) and "The Godfather, II" (1974) -- are the most indicative of such a process. (The third part of the series, released in 1990 was a pale imitation of the original(s) but served as a continuation of the story albeit without the style and grace of the first two. In fact, it often appeared that Coppola might have been primarily interested in the money that a third episode in the blockbuster series was certain to provide.) "Now, 28 years after its release, The Godfather has firmly established itself as the single ...

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