Sample Essay on:
Keeping Secrets: Othello and The Importance of Being Earnest

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Essay / Research Paper Abstract

A 7 page paper which examines keeping secrets in Shakespeare’s Othello and Oscar Wilde’s The Importance of Being Earnest. Bibliography lists 2 sources.

Page Count:

7 pages (~225 words per page)

File: JR7_RAotern.rtf

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Unformatted sample text from the term paper:

as well as dramas, mysteries and comedies. In the czse of William Shakespeares Othello and Oscar Wildes The Importance of Being Earnest both stories are very different in their plot and format for Othello is a clear tragedy while The Importance of Being Earnest is a raging comedy. But, both possess an element of mystery that supports the plot and this element is in the keeping of secrets. Both plays have a character, or more than one character, who is keeping a secret and within that secret is the essential plot of the story. The following paper examines each story separately as it involves how keeping secrets supports the development of the tragedy or the comedy, and then discusses the two stories together, comparing and contrasting the two. Keeping Secrets: Othello The primary character in Othello and the one who truly keeps the secrets is Iago. Iago is the villain of the story and the man who constructs the entire plot of the play through keeping secrets. In the first act and first scene of the play Iago states his first secret when he indicates, "Though I do hate him as I do hell-pains. Yet, for necessity of present life, I must show out a flag and sign of love" (Shakespeare I i). He sets the premise for keeping secrets when he informs the audience or reader that he hates Othello but will pretend otherwise. Shrtly thereafter he begins to truly bring Roderigo into the plot, but Iago only ever really reveals the truth to the audience. The audience understands the full ramifications of Iagos use of another, his keeping of secrets, when Roderigo leaves at one point and Iago tells the audience, "Thus do I ever make my fool my purse" (Shakespeare I iii). In this ...

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