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Kant: Aesthetic Judgments Of Taste Can Claim 'Synthetic A Priori' Status

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8 pages in length. Understanding Kantian assertion that aesthetic judgments of taste can claim 'synthetic a priori' status requires one to comprehend the fundamental differences between analytic and synthetic judgments. Analytic judgments, which are those "whose predicates are wholly contained in their subjects" (Kemerling, 2001), are such because they do not stimulate or enhance subject conceptualization; rather, they are nothing more than purely explicative in nature and can be logically reasoned based upon the principle of non-contradiction. By contrast, synthetic judgments uphold predicates that are "wholly distinct from their subjects, to which they must be shown to relate because of some real connection external to the concepts themselves" (Kemerling, 2001). Therefore, the primary separation between synthetic and analytic judgments is that synthetics might be genuinely informative but at the same time obligate justification by an external principle. Bibliography lists 9 sources.

Page Count:

8 pages (~225 words per page)

File: LM1_TLCprior.rtf

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judgments, which are those "whose predicates are wholly contained in their subjects" (Kemerling, 2001), are such because they do not stimulate or enhance subject conceptualization; rather, they are nothing more than "purely explicative" (Kemerling, 2001) in nature and can be logically reasoned based upon the principle of non-contradiction. By contrast, synthetic judgments uphold predicates that are "wholly distinct from their subjects, to which they must be shown to relate because of some real connection external to the concepts themselves" (Kemerling, 2001). Therefore, the primary separation between synthetic and analytic judgments is that synthetics might be "genuinely informative" (Kemerling, 2001) but at the same time obligate justification by an external principle. The great philosopher Immanual Kant possessed knowledge at the core of his being; indeed, his life was consumed with the learning of reason. He believed that reason and knowledge were synonymous and all that was good had to do with reason, inasmuch as unless a thought was based in the concrete foundation of knowledge, it was of little use to man. Philosophy may have been thought of as the stuff of wispy dreams, however, such great philosophers as Kant (1948) were deeply acquainted with the roots of their philosophical knowledge when, one might surmise, it came to postulating the myriad circumstances of artistic expression. "According to Kant, knowledge results from the organization of perceptual data on the basis of inborn cognitive structures, which he calls categories. Categories include space, time, objects and causality. This epistemology does accept the subjectivity of basic concepts, like space and time, and the impossibility to reach purely objective representations of things-in-themselves. Yet the a priori categories are still static or given" (Anonymous, 2001). ...

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