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Essay / Research Paper Abstract
A 3 page comparison of Vasily Kandinsky’s “Landscape Near Murnau with Locomotive” and Jackson Pollock’s “Untitled (Green-Silver).” Bibliography lists 2 sources.
Page Count:
3 pages (~225 words per page)
File: JR7_RAlopll.rtf
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Unformatted sample text from the term paper:
"As a theorist and a teacher...became one of the most influential artists of his generation" (Guggenheim Museum). Pollocks best work was generally considered to be his "best large-scale pictures: the
drip paintings of the late 1940s" (Ayers). Their work was quite different, yet both utilized a sense of the bold and dramatic in their works. The following paper compares two
of their works. The works are Vasily Kandinskys "Landscape Near Murnau with Locomotive (1909)" and Jackson Pollocks "Untitled (Green-Silver) (1949)." Kandinsky and Pollock At first glance the two pictures
are quite obviously very different. Where Kandinskys painting is clearly of discernable objects Pollocks work is representative of his famous drip style wherein there are no figures or shapes or
objects that are understandable for his style only presented drips and chaotic lines and colors. As such they are clearly very different paintings, in terms of style, technique, and representation.
Both the paintings, however, do possess a powerful use of color, bold colors that are very definable and not blurred or muddy. In Kandinskys work the colors are boldly
laid out in, for the most part, round organic type shapes. There is a sense of geometric elements as the railroad tracks, the train, and the direction of the train
move diagonally into the painting that is comprised of many soft round figures such as trees, hills, and clouds. All of the colors are bold and one object, or element,
clearly stops where another begins. However, at the same time there is also subtle shading, bringing in soft coloring, within the bold elements. In Pollocks painting the drips or
lines of paint are also very defined and sets each color off separately from another. There are the black lines and puddles of paint, set next to green and silver
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