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Essay / Research Paper Abstract
5 pages in length. The writer discusses stereotypical associations made of Italian-Americans by way of "The Sopranos" and "The Godfather." Bibliography lists 3 sources.
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5 pages (~225 words per page)
File: LM1_TLCAmItl.rtf
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the characteristic one-for-all, all-for-none mentality of a world gone bad, this portrayal casts a visual image of the Italian-American that fosters all the illustrious wrongdoing made possible by a group
of streetwise gangsters in expensive suits and phony smiles. Portrayals such as these are readily available through contemporary popular culture, with HBOs The Sopranos and Mario Puzos The Godfather
representing two of the most recognizable depictions. Upon analyzing George De Stefanos Ungood Fellas, Andrew Rolles Beyond the Mafia: Italian Americans and the Development of Las Vegas and Frank
Vivianos Godfather IV: In The Empire Of Crime, The U.S. Mafia Is Just A Supporting Actor, one finds a common denominator of violence, drugs and control as they relate to
the Italian-American experience. Popular culture routinely portrays the Italian organized crime as a malignant tumor on the face of society. After assessing
the facts against what HBOs The Sopranos has had to say about the brutalizing collection of Italian gang members, it can easily be argued that New Jerseys Italian Mafia has
earned the literary reputation it has worked so feebly to dispel. Not only is this violent group guilty of living an existence that mirrors such interpretation as brought about
by the likes of popular culture, but it has also been quite successful at reaching beyond prison walls and infiltrating society at various levels as a means by which to
gather pertinent information. The extent to which New Jerseys Italian Mafia has its fingers spread throughout the community - from cops to merchants and public officials to the neighborhood
drug dealer - is clearly indicative of the overriding stereotypical stamp society places upon Italian-Americans. According to Rolle (1998), "as the Mafias actual influence became mythologized, some guilt-by-ethnic-association was
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