Sample Essay on:
Irving Stone’s “The Agony and the Ecstasy”: Personal Discovery

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Essay / Research Paper Abstract

A 5 page paper which examines Irving Stone’s “The Agony and the Ecstasy” as it relates to personal discovery. Bibliography lists 2 additional sources.

Page Count:

5 pages (~225 words per page)

File: JR7_RAstone1.rtf

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Unformatted sample text from the term paper:

Michelangelo. In Stones book he offers up a man who has numerous personal revelations or personal discoveries. Michelangelo is a man who struggles against many of these discoveries, perhaps unsettled at the role he has been given. In the following paper we examine one of the revelations experienced by Michelangelo and then present a personal story which relates to the type of personal discovery made by Michelangelo. The Agony and the Ecstasy As mentioned, there are many instances in Stones book where Michelangelo has personal discoveries or revelations concerning who he is and what his role is. One of the most significant is when "He was commissioned by Pope Julius II to paint the Twelve Apostles on the chapel ceiling" (Johnston, 2002; agonyecstacy.html). He struggled with the work, destroyed the work, insisting he was sculptor not a painter. He fled to the mountains where he hears God speak to him, instructing him in what he should do. "Michelangelo returns to Rome and tells Pope Julius II of his vision. The Popes only words to him were, "I only planned a ceiling, you planned a miracle, Buonarroti" (Johnston, 2002; agonyecstacy.html). He immerses himself in the work, enduring "much pain and affliction mentally, emotionally, physically and spiritually, not to mention the persecution from the church leaders and others for painting naked art. In his frustration he rebuked the church leaders," by stating, "I am different. I am a Christian and they were pagans" (Johnston, 2002; agonyecstacy.html). Michelangelo was heeding instructions from God and causing himself a great deal of agony in the process. He was going against the laws of man as it related to art, for he was depicting God and mankind in a manner that offended the people and the Church. But, he had received a revelation, ...

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