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Essay / Research Paper Abstract
This 15 page paper of post-modern playwright
Marina Carr examines her recent successes, as well
as the real and perceived background of being
Irish. While the historical bridge with the mythic
has protected the imaginative Irish, it has now
also provided a unique bridge to their
participation in the creative global world.
Carr reflects the intensity of our modern world
through the disguise of her Irish one.
Bibliography lists 8 sources.
Page Count:
15 pages (~225 words per page)
File: D0_BBmcarr.doc.
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Unformatted sample text from the term paper:
centuries-old tradition of artistic achievement. The island continues to be identified by its artists and defined by their voices and sounds. In turn, those artists have influenced literary and musical
traditions around the world, particularly in the United States. It is estimated that there are up to 50 million in the U.S. who claim Irish heritage and could be up
to 100 million worldwide (Flynn ppg) The collaboration of W.B. Yeats and J.M. Synge in 1904 founded the Abbey Theater, a unique expression
of new and experimental theater. The writing of James Joyce changed the shape of the modern novel. The traditional music of Ireland gave birth to Tennessee bluegrass, not
to mention its own personal Celtic resurgence Todays new generation of Irish artists has more than lived up to these standards: the work of Nobel Prize-winning poet Seamus
Heaney and the films of Neil Jordan and Jim Sheridan are among the artistic achievements that have moved the island further into the world spotlight.
It is the "telling of the tale" that demonstrates the historical heart of Irish intellect and history. Irelands love of drama is demonstrated in its great
theatrical works - old and new. One of those "new" Irish playwrights is Marina Carr (1964 -- ). Irish Invasion of Theater
It would seem to be a distinct disadvantage these days for a playwright in New York not
to hold an Irish passport. New names such as Martin McDonagh and Conor McPherson are cropping up as rapidly as revivals of such old ones as Samuel Beckett and Brian
...