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Essay / Research Paper Abstract
3 pages in length. Elenore Abbott's illustration of "Cinderella" in the 1920 printing of Grimm's Fairy Tales brings about an entirely different perspective than to which contemporary society has become accustomed. The most immediate sense one has about Abbott's interpretation is its ethereal countenance and the utter serenity with which the artist captures Cinderella's innocence. Her chosen medium of watercolor serves to enhance this otherworldly tone of the illustration, and the muted hues combine to bring about a calming, gentle feeling. No bibliography.
Page Count:
3 pages (~225 words per page)
File: LM1_TLCFairyTaleA.rtf
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Unformatted sample text from the term paper:
The most immediate sense one has about Abbotts interpretation is its ethereal countenance and the utter serenity with which the artist captures Cinderellas innocence. Her chosen medium of
watercolor serves to enhance this otherworldly tone of the illustration, and the muted hues combine to bring about a calming, gentle feeling. Abbott does not simply paint the obvious lines
and forms akin to standard Cinderella illustrations; rather, she utilizes a melding of images the forces one to study the intricacies of her composition. For example, the wisps of
fabric the two birds flutter in front of Cinderella is filmy enough to make the viewer wonder if either the birds or what appears to be her ball gown are
truly there, or if she is merely imagining their existence. Created from Cinderellas perspective, one readily considers the ever-present desire to escape her shackled life that exudes from Abbotts
painting. Indeed, the extent to which Abbotts artistic techniques is far removed from the stark, palpable rendition so readily associated with nearly all other illustrations of Cinderella is both
grand and far-reaching; that Abbott affords her audience the ability to read much more into this seemingly simplistic visual is indicative of the artists intrinsic complexity. Kneeling at the base
of a delicate tree with head tipped upward, eyes closed and hands brought together, Cinderellas physical presence epitomizes the unending quest for hope amid even the most daunting of realities.
Abbotts painting strives - and rather successfully achieves - to reinforce the fundamental meaning behind the classic fairy tale, inasmuch as the artist effectively taps into Cinderellas perpetual optimism
in the midst of constant oppression. With the concept of this dream-like image Abbott portrays - long considered art of the mind within
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