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A 3 page research paper that examines how Egyptian art and architecture have influenced modern forms. The writer particularly focuses on how Egyptian art influenced the eighteenth century rococo period, as well as the art deco of the twentieth century. Bibliography lists 5 sources.
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3 pages (~225 words per page)
File: D0_khegarag.rtf
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the pyramids, which are certainly one of the foremost architectural accomplishments in human history. Much of the surviving Egyptian art and architecture, such as the pyramids, concerns Egyptian religion and
the burial of their nobility. These ancient symbols of the past have inspired virtually all of the Western cultures that came after the Egyptians, from antiquity to the present day.
While Egypt had ports on the Mediterranean, Fleming (1974) states that theirs was a closed society. Therefore, Egyptian art and architecture did not begin to influence other cultures until
they came into contact with the Greeks (Fleming, 1974). The Greeks "appropriated, absorbed, refined and transmuted" Egyptian art and architecture into their own culture. Subsequently, Rome, the "cultural melting pot
of antiquity," realized a merging of ideas, building methods, and ornamental motifs from cultures throughout the Mediterranean region (Fleming, 1974, p. 9). Egyptian art and architecture first became an
influence on modern forms in the eighteenth century with rococo exotic fancies (Fleming, 1974). In the eighteenth century, it became fashionable for upper class gentlemen to take the "Grand Tour,"
an extended trip around Europe and into North Africa that took in all of the major influence on Western civilization (Midgley, 1998). This custom brought Egyptian art and architecture to
the attention of the fashion-setting upper class. Free-standing obelisks were constructed around England, the first, which is still standing today, is at Ripon and was ereced in 1702 (Midgley, 1998).
Obelisks remained popular throughout the eighteenth century as landscape ornaments. Castle Howard in Yorkshire is a good example of the pervasiveness of the Egyptian influence. It has an obelisk, two
pyramids and two gateways with pyramid features (Midgley, 1998). Napoleons Egyptian campaign of 1798 and Champollions achievement in deciphering Egyptian hieroglyphs once more sparked European interest in Egyptian art
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