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Essay / Research Paper Abstract
12 pages in length. Gender construct, built around the patriarchal perspective, has long been a principle focus of theater and cinema. The extent to which the issues of masculinity and femininity are regularly used as central themes is both grand and far-reaching; that such depictions have become fundamentally stereotypical in nature speaks to the dilemma of truly being able to define masculinity within a social context. Ibsen's A Doll's House is one of many theatrical illustrations of this observable fact in the way it pits the dominating husband against the submissive wife and spotlights the misery she experiences from being an emotional prisoner in her own marriage. While these social constructs have changed to a great degree since Ibsen penned his play, there is still enough residual support of this patriarchal ideology to warrant it ongoing in the twenty-first century institution of marriage. Bibliography lists 3 sources.
Page Count:
12 pages (~225 words per page)
File: LM1_TLCdollhsmasc.rtf
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Unformatted sample text from the term paper:
regularly used as central themes is both grand and far-reaching; that such depictions have become fundamentally stereotypical in nature speaks to the dilemma of truly being able to define masculinity
within a social context. Ibsens A Dolls House is one of many theatrical illustrations of this observable fact in the way it pits the dominating husband against the submissive
wife and spotlights the misery she experiences from being an emotional prisoner in her own marriage. While these social constructs have changed to a great degree since Ibsen penned
his play, there is still enough residual support of this patriarchal ideology to warrant it ongoing in the twenty-first century institution of marriage. Noras claim in the play to
be first and foremost a human being rejecting identities of doll and wife and mother is an exemplary case of using theatre and theatricality to recognize womens struggle for political
and social rights (Moi p. 256). II. SOCIAL CONSTRUCTS OF MARRIAGE Society has long upheld to belief that things must be categorized,
separated and defined in order for them to fit snugly into the standard of preconceived notions. The aspects of masculinity and femininity are no different in this regard, inasmuch
as they are inherently diverse by nature yet are also further divided by social dictates. Ibsens play successfully depicts marriage as being one of the greatest divisions between men
and women in the way it upholds the patriarchal perspective. Conventional wisdom based upon Freudian theory shows how society mandates a girl as someone who is taught to be
gentle, caring and nurturing; encouraged to play with toys that enhance her understanding of the social role she will one day assume (playing house, to play with dolls as a
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