Here is the synopsis of our sample research paper on How Do ‘Identity’ And ‘Obsolescence’ Contribute To This Continual Change In the Fashion?. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
This 7 page paper considers the following quote “Fashion is dress in which the key feature is rapid and continual changing of styles” and discusses this with reference to the ideas of identity and obsolescence. The paper is written using a range of examples to show how fashion has developed proactively and reactively to these influences. The bibliography cites 8 sources.
Page Count:
7 pages (~225 words per page)
File: TS14_TEidentfash.rtf
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Unformatted sample text from the term paper:
and continual changing of styles". There are many influences in how this changes and the speed at which is changes, these ideas ands concepts include the perceptions of identity and
obsolescence add the way they are reflected, and sometimes created, in fashion. Sproles (1981) looked at the presence of lifecycles in fashion, comparing clothes to the simialr lifecycles seen
in any other consumer good where goods are development enter a growth stage reach maturity and then go into decline. This appears to be ah accurate reflection on the scission
industry, however, just as with consumer goods the cycle can change at different rates according to the taste and fashions that are in society at the time. For example, while
many fashion change by the season there are also classics such as the little black dress that have been in fashion for many years, while other fashions have come and
gone. The idea of identity and obsolescence can be seen in the way that the cycles take place, where there is the creation of an identify or the association
or desire for that identity designs or styles may become more fashionable, where they are seen as not longer desirable they are interpreted as obsolescence these may be lead socially
or as a result of the fashion industry. Blumer (1969) argued that there were long and short term cycles, in the long term cycles each fashion run may be seen
as a secular, occurring only once in each age or century. However, in the shorter term there were repetitive cycles (Blumer, 1969). If we look at the aspect of
identity then fashion may be reflect and create that identity as part of the cycles. If we look at the twentieth century we can see how fashions was not just
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