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6 pages in length. Basic elements of world-view are exhibited in many fashions, however, none are more vivid and palpable than those put forth through stories. That a writer can envelope his or her reading audience by way of the written word speaks to the power of authored communication and the manner by which it can easily portray the struggle of an entire people. Zora Neale Hurston's Mules and Men exposes myriad components of the author's world-view such as racism, poverty and cultural identity -- which is readily interchangeable as a representation of the overall black community -- however, a more subtle but just as important aspect of her perspective is that of being a powerful black woman amidst the oppression of an intolerant society. Bibliography lists 3 sources.
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File: LM1_TLCZora.rtf
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stories. That a writer can envelope his or her reading audience by way of the written word speaks to the power of authored communication and the manner by which
it can easily portray the struggle of an entire people. Zora Neale Hurstons Mules and Men exposes myriad components of the authors world-view such as racism, poverty and cultural
identity -- which is readily interchangeable as a representation of the overall black community -- however, a more subtle but just as important aspect of her perspective is that of
being a powerful black woman amidst the oppression of an intolerant society. Hurstons Mules and Men -- where she "presents social problems that
she wants to see changed" (Carr et al 285) -- eloquently chronicles the authors personal interpretation of the world around her. Borrowing inspiration from personal experiences, Hurston steps into
a position of self-generated strength in order to relate how the essence of power has defined gender inequity throughout the ages. Illustrating how powerful women are a rare breed,
the author comments upon the strength and power black women are able to cultivate in order to cope with extreme situations and make their lives more worthwhile.
Conspicuously absent in this story is the weak and fragile persona; instead, Hurstons account -- which blends "aspects of the autobiographical travelogue with aspects of
the ethnographic study" (Nicholls 467) -- represents what is fashioned after ones burning desire for self-preservation. The authors treatment of female survival within the confines of a patriarchal --
and white -- society is clearly indicative of how such yearning can turn something seemingly worthless into a treasure. Hurston has a lot to say about what she sees
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