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Essay / Research Paper Abstract
7 pages in length. The film industry has a hold upon people unlike most other forms of mass media; that moviegoers become wholly captivated by what they see on the screen to such an extent as to have physical and emotional reactions speaks to the overwhelming power filmmakers have upon their impressionable audiences. The extent to which movies have metamorphosed over the past century is both grand and far-reaching; to chronicle the time frame upon which each progression occurred is to become aware of specific trends, concerns and interests that existed during a particular era. Bibliography lists 5 sources.
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7 pages (~225 words per page)
File: LM1_TLCHistMovi.rtf
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physical and emotional reactions speaks to the overwhelming power filmmakers have upon their impressionable audiences. The extent to which movies have metamorphosed over the past century is both grand
and far-reaching; to chronicle the time frame upon which each progression occurred is to become aware of specific trends, concerns and interests that existed during a particular era.
What began back in the late eighteen hundreds as a basis for documentaries, the motion picture soon was discovered to possess more attraction than just
that of factual archiving. The moving pictures inherent gift of capturing a distinctly different essence than still photography is what ultimately led to its popularity. When special effects
and techniques came along, such as sound, time-lapsed photography and sweeping panoramic views, there was no stopping the expansion that occurred from the 1920s and beyond (Page 102).
The early 1890s marked the initial period of technology for motion picture development; it was during this time when the likes of Thomas Edison and
W.K.L. Dickson perfected the process of transferring a living image onto a strip of moving film. The next decade produced many filmmakers who attempted their own interpretations of the
new application. All along, the original inventors knew of their potential finding and worked diligently to establish its far-reaching commercial appeal (Page 102).
The first commercial productions were quite racy for their time, establishing a new relationship between women and their public persona. The 1896 performance of Thomas Edisons The Kiss
is credited with getting audiences "hot and bothered" (Mathews 04) by engaging Broadway actors May Irwin and John Rice in an innocent smooch. That peck, however, had early censors
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