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Essay / Research Paper Abstract
3 pages in length. Considered the most autobiographical of all his works, Hemingway's Big Two-Hearted River reflects upon the writer's never-ending quest to obtain spiritual peace amid an otherwise chaotic world. The absence of organized religion in his life notwithstanding, this spiritual expedition was always fulfilled when Hemingway was surrounded by nature, particularly deep see fishing, two of the primary literary components presented throughout the story. Hemingway's perpetual journey toward the neutralizing elements of 'getting back to nature' is mirrored in the values and actions of Nick Adams, the writer's protagonist whose validity of this search is manifested in such seemingly innocuous realities as settling in to "his home where he had made it" (Hemingway 29). Bibliography lists 5 sources.
Page Count:
3 pages (~225 words per page)
File: LM1_TLCHemingway.rtf
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Unformatted sample text from the term paper:
life notwithstanding, this spiritual expedition was always fulfilled when Hemingway was surrounded by nature, particularly deep see fishing, two of the primary literary components presented throughout the story. Hemingways
perpetual journey toward the neutralizing element of getting back to nature is mirrored in the values and actions of Nick Adams, the writers protagonist whose validity of this search is
manifested in such seemingly innocuous realities as settling in to "his home where he had made it" (Hemingway 29). Correspondingly, Hemingways focus on succinct expression is represented in the
writers choppy elucidation of Adams events as a metaphoric paradigm for his need to "strip language to its most essential components by omitting any word not absolutely necessary" (Biography).
"Nick was happy as he crawled inside the tent. He had not been unhappy all day. This was different though. Now things were done. There had
been this to do. Now it was done. It had been a hard trip. He was very tired. That was done. He had made his
camp. He was settled. Nothing could touch him. It was a good place to camp. He was there, in the good place" (Hemingway 29).
The same way in which nature balanced Hemingways perspective of the world around him, Adams affinity for the out-of-doors serves to bring him back to a place of spiritual grounding.
No movement, task or thought is placed within the storys literary boundaries without Hemingway attaching to it some nuance of significance, clearly illustrating how the author was keenly in
touch with even the most subtle of lifes offerings. Sempreora recognizes this inextricable association between writer and protagonist when she comments how "Nick constructs streams, fields of hopping bait,
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