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Essay / Research Paper Abstract
5 pages in length. To question the legitimacy of religious hallucinations is to ignore an entirely separate understanding from mankind's myopic perspective. The extent to which demonic visions are a genuine entity is both grand and far-reaching; that Hollywood has projected this tangible truth in such films as The Exorcist speaks to greater realization of how religious hallucinations are neither psychotic nor artificial in nature but instead components of otherworldly realism. Bibliography lists 8 sources.
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5 pages (~225 words per page)
File: LM1_TLCHallucEx.rtf
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entity is both grand and far-reaching; that Hollywood has projected this tangible truth in such films as The Exorcist speaks to greater realization of how religious hallucinations are neither psychotic
nor artificial in nature but instead components of otherworldly realism. "The discourse that surrounds these films, the urban legends, tales and folklore, reveal a realism with respect to the
supernatural and religion that defies the assumption of the films status as fantasy. They literally bring the supernatural to life. In this way, they blur the assumed boundary between
film reality and ordinary reality. In this sense they function much like a religious icon as used in popular devotional practices" (Walsh-Pasulka, 2005). II. CONDUCTION/RESULT
The altered state of consciousness the films main character experiences is that of a possession trance clearly characterized by a number of telltale indicators, not the
least of which includes being able to speak in a foreign tongue without having previous ability to do so. Regan performs myriad physical contortions, is able to move furniture
without touching it, talks in different languages and voices, as well as displays instantaneous scratches and marks upon her body that appear without benefit of any mutilating tool; Sands (2001)
notes that to suggest this trance - or hallucination - is motivated by anything other than legitimate possession is to blatantly ignore the historical prevalence of such a reality. The
commonality of spirit possession has been well-documented throughout history (Sands, 2001), which is duly represented by the films allusion to the primitive culture of the Pazuzu. Paramount to equating
Regans altered state of consciousness with a possession trance is the way in which her normal personality is replaced by that of the demon who has taken hostage of her
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