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Essay / Research Paper Abstract
10 pages in length. Ethnic and gender discrimination is no stranger to the workplace. Inasmuch as graphic design is essentially a white man's world, it has been extremely difficult for ethnic women to break the mold and be represented for their talents, while not being overlooked merely because of their gender. To say that ethnic women have had to fight for their existence within the world of graphic design would be a gross understatement. Indeed, the road to self-expression through the artistic expression has been paved with patriarchal intolerance and characteristic skepticism. That women have been forced to prove their worthiness within the stringent boundaries of a male-dominated industry speaks volumes about the inherent fortitude that comprises the female spirit. The concept of feminism embodies a number of critical theories by which to better address the various perspectives of interdisciplinary connection. The writer discusses that a primary quest exists to assess the sometimes-strained yet always misunderstood relations between the genders within the graphic design industry. Bibliography lists 5 sources.
Page Count:
10 pages (~225 words per page)
File: LM1_TLCgrfic.doc
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Unformatted sample text from the term paper:
to break the mold and be represented for their talents, while not being overlooked merely because of their gender. To say that ethnic women have had to fight for
their existence within the world of graphic design would be a gross understatement. Indeed, the road to self-expression through the artistic expression has been paved with patriarchal intolerance and
characteristic skepticism. That women have been forced to prove their worthiness within the stringent boundaries of a male-dominated industry speaks volumes about the inherent fortitude that comprises the female
spirit. The concept of feminism embodies a number of critical theories by which to better address the various perspectives of interdisciplinary connection. A primary quest exists to assess
the sometimes-strained yet always misunderstood relations between the genders within the graphic design industry. Indeed, graphic art is a language unto itself in
that it speaks to the communal need for expression. Everyone -- no matter their origin or language -- has an inherent desire to express emotions, as well as to
have these expressions understood. Graphic art is such a universally recognized method of this statement that there exist no barriers with regard to interpretation. The mere fact that
the human element is the primary implication in creating a particular design is enough of a connection to render the cultural and gender barrier obsolete; only when those disconcerting discriminatory
images are again brought back into the mix are those boundaries erected once more. "The field of art and aesthetics creates and maintains its own elements of language which
have primary meanings" (Cebik 459). II. INDUSTRY LIMITATIONS Indeed, it can readily be argued that ethnic women have reached the glass ceiling
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