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Essay / Research Paper Abstract
15 pages in length. The rebellious nature of art affords a certain amount of artistic license with regard to issues of social and political nature. That art is the extension of the artist's personal beliefs and perspectives speaks to the sometimes-harrowing yet always passionate portrayals depicted in many of history's most powerful creations. Three examples of artists taking a personal stand on what they see in the world around them include Goya's The Shootings of May 3, 1808, Picasso's Guernica and Massacre in Korea. Bibliography lists 8 sources.
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15 pages (~225 words per page)
File: LM1_TLCGoyaMay3.rtf
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political nature. That art is the extension of the artists personal beliefs and perspectives speaks to the sometimes-harrowing yet always passionate portrayals depicted in many of historys most powerful
creations. Three examples of artists taking a personal stand on what they see in the world around them include Goyas The Shootings of May 3, 1808, Picassos Guernica and
Massacre in Korea. II. GOYA Like any other international symbol, the universal aspect of art strips away the barriers inherent to the limitations that dominant social and political orthodoxies
have placed upon society as a whole. Indeed, Goyas endeavor was to express the truth and nothing less; if he were not to follow his genuine instincts as an
outspoken artist, then his contributions to mankind would be wholly frivolous. Because art is one of very few entities possessing a universal appeal, no matter what issue it addresses,
Goya took every opportunity to display intrinsic expression connected to his vision and ultimate portrayal he created in The Shootings of May 3, 1808, which is meant to epitomize "the
suffering and the realism of the time to a height not seen before" (Goya). In and of itself, the powerful painting reflects the most defiant aspect of its symbolist
tendencies; without uttering but a single word, this work of art is fully able to communicate the artists dissatisfaction with the atrocities of war. "There is no end to
what Goya saw and to what he imagined, and no boundary between nightmare and reality" (Rosenblum 58). Goya truly claimed a major presence during the radical eighteenth century change known
as The Enlightenment, a time that has literally transformed the shape of Western Europe with regard to political philosophy, economics, religion, education and social standing. The world at that
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