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15 pages in length. The influence of prime time media is both vast and far-reaching in its ability to educate, inform and enlighten the viewing public. When the topic of homosexuality began to creep its way into prime time television with the significant popularity of Ellen, people were not too terribly concerned with the fact that the show's star, Ellen DeGeneres, was a lesbian; what they appreciated more was that she was funny. When she used her show as a vehicle for coming out, she not only opened the door for other gays and lesbians to acknowledge their true selves, but her courage also served to fortify the viewing public with a much more grounded perception of an alternative lifestyle that has historically been looked upon with judgment and disdain. Bibliography lists 15 sources.
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File: LM1_TLCgayPT.rtf
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viewing public. When the topic of homosexuality began to creep its way into prime time television with the significant popularity of Ellen, people were not too terribly concerned with
the fact that the shows star, Ellen DeGeneres, was a lesbian; what they appreciated more was that she was funny. When she used her show as a vehicle for
coming out, she not only opened the door for other gays and lesbians to acknowledge their true selves, but her courage also served to fortify the viewing public with a
much more grounded perception of an alternative lifestyle that has historically been looked upon with judgment and disdain. II. TELEVISIONS PROGRESSIVE ATTITUDE
It has been a long haul, but womens changing role within the framework of television comedy has finally come to fruition. No more is she the forever doting servant
who jumps at every command barked by her husband. Today, the women represented in comedy television are strong-minded, opinionated, independent types who stand next to their male counterparts as
opposed to behind them. Two decades after "the perky, unmarried, facilitating Mary Richards" (Jubera, 1996, p. L08) was introduced to the television watching audience of the 1970s, there has
been a decidedly drastic change in the depiction of women as they appear in comedic roles. Forever gone is the woman who puts her family, friends and even strangers
before her own needs; now there exists a bigger, better, bitchier role model for women everywhere to emulate. One unexpected outcome of the
liberated television comedienne was the coming out of sexual orientation as a vehicle for prime time comedy. The sitcom Ellen not only paved entirely new ground for the comedic
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