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Frank Zappa’s “Lumpy Gravy” -- An Example of the Collage Aesthetic

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Essay / Research Paper Abstract

This 7 page report discusses musical composer and rock musician Frank Zappa (1940-1993). Far too often, Zappa’s work has been relegated to an example of the obscure creative energy exemplified in the 1960s. And yet the reality is that Zappa’s work was far more closely aligned to the established traditions of the avant garde in Europe. This report pays particular attention to his first orchestral piece, “Lumpy Gravy” (1968) which was the first project to be released under his name and not the “Mothers” band name. Bibliography lists 4 sources.

Page Count:

7 pages (~225 words per page)

File: D0_BWzappa.rtf

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established traditions of the avant garde in Europe. This report pays particular attention to his first orchestral piece, "Lumpy Gravy" (1968) which was the first project to be released under his name and not the "Mothers" band name. Bibliography lists 4 sources. BWzappa.rtf "Lumpy Gravy" and the Collage Aesthetic -- (It could be the name of a Frank Zappa Song) By: C.B. Rodgers - November 2001 -- for more information on using this paper properly! Introduction to FZ In the three-page obituary Dan Ouellette (1994) wrote for Frank Zappa, he said: "With more than 60 albums to his credit, Zappa adventurously covered a universe of musical terrain ranging from 50s doo-wop to 20th-century classical music by Stravinsky and Bartok. He punched out heady rock on his mean guitar and served up jazz from clavier DMS keyboard. ... He fused it all into a sometimes-brilliant, frequently madcap, always-spin-on-a-dime concoction of distinct and inimitable Zappaesque music" (pp. 20). Far too often, Zappas work has been relegated to an example of the obscure creative energy exemplified in the 1960s. And yet the reality is that Zappas work was far more closely aligned to the established traditions of the avant garde in Europe. It is not too far of a reach to even refer to him as a Dadaist. He refused to follow the composition ideologies generally promoted in formal music schools and chose to adopt a collage aesthetic. The description of Frank Zappa in the Rykodisc catalog is: "Frank Zappa didnt die a rock and roll death and he didnt live a rock n roll life. His idiosyncrasies were the making and undoing of his career, catapulting him into notoriety and confining him there. ...

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