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Essay / Research Paper Abstract
4 pages in length. The 1757 oil on canvas Vertumnus and Pomona is considered one of French artist Francois Boucher's most appreciated pieces. At the time this particular painting was created, the social, political and economical impact of the arts was experiencing a rebirth of sorts that helped to establish Europe as an artisan's heaven. Most impressed by his eye for detail and whimsical approach was the royal sect, who so proudly displayed his artistic endeavors and even commissioned him to create personal pieces. Boucher was paid handsomely for these assignments, placing a new and richly deserved value on the worth of artwork in general. Bibliography lists 3 sources.
Page Count:
4 pages (~225 words per page)
File: LM1_TLCbouch.doc
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Unformatted sample text from the term paper:
At the time this particular painting was created, the social, political and economical impact of the arts was experiencing a rebirth of sorts that helped to establish Europe as
an artisans heaven. Most impressed by his eye for detail and whimsical approach was the royal sect, who so proudly displayed his artistic endeavors and even commissioned him to
create personal pieces. Boucher was paid handsomely for these assignments, placing a new and richly deserved value on the worth of artwork in general. The world at that time
was changing by leaps and bounds, and those of European artistic circles were not to be left behind. Particularly influential to this change was the extraordinary and celebrated Boucher.
The function this artist had upon the European landscape was to demonstrate societys progressive nature as it related to the regions individual growth. Boucher claimed a major presence
during the radical eighteenth century change known as The Enlightenment, a time that literally transformed the shape of Western Europe with regard to political philosophy, economics, religion, education and social
standing. The artists individual style lent a specific feel to the period and, as such, was significantly influential in representing the drastic changes that were taking place. Boucher, an
artist of rare proportion who effectively coupled his own singular and distinctive style with that of the refinement of the period, reflected perfectly the French aristocracy of the eighteenth century,
right down to their particular preferences and decorum. The works that set him apart from other artists of the era - tapestry designs, decorative landscapes, brilliant pastorals and mythological
scenes - were the very same compositions that lent themselves to the metamorphosing social, political and economical climate. Particularly evident of his contributions is the manner in which Bouchers
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