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Essay / Research Paper Abstract
This 7 page paper provides an overview of techniques for film preservation. Bibliography lists 3 sources.
Page Count:
7 pages (~225 words per page)
File: MH11_MHFilmPr.rtf
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Unformatted sample text from the term paper:
and some have argued that there is a need to develop academic standards, ethics, and educational support for film preservation. In conjunction, the success of film preservation efforts is
directly linked to industry cooperation and the ability to secure financial support for film archiving and newly structured preservation systems. Within the context of library archiving systems, there
are specific limitations in terms of the ability to establish preservation practices for film and video collections and resources for achieving "meaningful programmatic efforts to preserve them is far greater
than the resources" that libraries currently have (De Stefano, 2003). At the same time, there are limitations in terms of achieving preservation of moving image collections, primarily because this
type of archiving requires a high degree of expertise and specialized knowledge in the area of film preservation (De Stefano, 2003). Film and video archiving has been a
focus of the motion picture industry since before the 1950s, and motion picture industry leaders have been concerned with archiving and preserving moving image materials (De Stefano, 2003). Long
before the production of computer-based imaging systems, industry specialists recognized that the cellulose nitrate film used in the early motion pictures was unstable and efforts began to transfer this to
the more stable cellulose acetate film to preserve the content (De Stefano, 2003). Unfortunately, these efforts were limited, because film companies realized that cellulose acetate film was also unstable
(De Stefano, 2003). Many organizations, including the Library of Congress, the George Eastman House and even industry leaders like Universal Studios have recognized the limitations and challenges of film
archiving, because of the relative fragility of film (De Stefano, 2003). At the same time, archivists have also viewed film as an important component of social and cultural history,
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