Sample Essay on:
Film Acting

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Essay / Research Paper Abstract

An 8 page paper which discusses technique and provides an overview of what any person who wishes to pursue a career as a film actor or actress should know. Bibliography lists 5 sources.

Page Count:

8 pages (~225 words per page)

File: TG15_TGfilmact.rtf

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Unformatted sample text from the term paper:

preparation, discipline, training, and experience to finely hone. Like all types of acting, film acting is also an art form, perhaps "the most popular of all the arts, and yet it is the one about which there is the least formal and organized knowledge" (Strickland 1). An aspiring film actor or actress does not automatically begin a career on celluloid. Usually, training begins on the stage either in school or college plays or in community theater productions (Strickland 3). Acting on television and in commercials is also a great training ground as well. But regardless of where a film performer begins to train and gain experience, education is always the most critical component because acting is a technique that develops raw talent through study. In Russia during the 1920s, Konstantin (or Constantin) Stanislavsky (or Stanislavski) developed what considered to be "the fountainhead of modern acting theory" (McTeague 2). It is a completely "actor-centered" technical approach that was later explored in the United States in the experimental Group Theatre, out of which emerged a separate entity entitled the Strasberg Method after its founder, Lee Strasberg (McTeague 6). The Strasberg Method is taught at New Yorks celebrated Actors Studio, and emphasizes the importance on emotion memory, which enables an actor to connect with a role by revealing "the source of all true emotion, the unconscious" (McTeague 6). Stanislavsky and Strasberg believed that an actor or actress can only give a convincing performance if he or she is able to emotionally connect to the truth, which can be achieved from using personal experiences for psychological motivation and to add depth and dimension to characterization (McTeague 6). While this technique can be quite helpful in film acting, Method teacher, one-time Group Theatre member, ...

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