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5 pages in length. It is quite appropriate to speak of the connection between Madame de Stael and the notion of feminism in nineteenth-century French literature. Indeed, one of the most powerful books on feminist conjecture is that of Corinne, a story Madame de Stael wrote about an aristocratic heroine who is in constant clash with the society around her. This approach to female strength was not a course many writers braved during this time; rather, to put forth the struggles inherent to gender issues was a bold statement about the patriarchal influence of the period. Bibliography lists 3 sources.
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File: LM1_TLCMmStael.rtf
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that of Corinne, a story Madame de Stael wrote about an aristocratic heroine who is in constant clash with the society around her. This approach to female strength was
not a course many writers braved during this time; rather, to put forth the struggles inherent to gender issues was a bold statement about the patriarchal oppression of the period.
"Stael remained fascinated by politics, and especially the role of women, throughout her life and put these concerns at the forefront of her work. Though the lives of
women were central to almost everything Stael wrote, she was most interested in the lives of exceptional women and never explicitly made the case for politically empowering every woman" (Marso
43). Madame de Staels writing is a celebration of gender, with particular emphasis upon issues of feminism and patriarchal control; in fact,
she portrays the early birth of feminism. Not only are her writings a solid reflection of her sentiments but so is the manner in which she reflects life in
nineteenth-century France. It was while writing such a feminist novel as Corinne that Madame de Stael - who is considered Frances "most prominent salonniere" (Kale 54) - gained significant
insight as to the perceived value of class, gender and social stature, particularly from research about those who did not possess socially and individual freedom: Nineteenth-century French women. Madame de
Stael learned her craft well and did not hesitate to apply her talent as more of a social statement than one of mere entertainment. Thus is the case with
her ongoing assertion that there was truly no separation of the sexes, short of the obvious physical differences; rather, her perpetual argument clearly makes the point of how the female
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