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Ethics and Hubris in Sophocles’ Ancient Drama

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This 5 page report discusses the fact that Sophocles created a reality in his dramas which also addressed issues of the day in terms of how the individual interacts and relates with the collective or the community of which they are a member and to which they must often acquiesce. In his stories of both “Antigone” and “Oedipus Rex,” Sophocles establishes a realm in which the audience cannot help but sympathize with the character who is faced with a dilemma for which they have no experience and no frame of reference. Plato also presented such dilemmas for consideration but did so through the philosophical rather than dramatic aspects of the tension between individual and community Bibliography lists 3 sources.

Page Count:

5 pages (~225 words per page)

File: D0_BWethdrm.rtf

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Unformatted sample text from the term paper:

collective or the community of which they are a member and to which they must often acquiesce. In his stories of both "Antigone" and "Oedipus Rex," Sophocles establishes a realm in which the audience cannot help but sympathize with the character who is faced with a dilemma for which they have no experience and no frame of reference. Both are somewhat isolated because of their beliefs and yet both find themselves embroiled in circumstances that, as they become increasingly out of control, they (as individuals) are without satisfactory or even acceptable recourse. Plato also presented such situations in his renditions of the dialogues of Socrates. However, he presented the philosophical rather than dramatic aspects of the tension between individual and community and demonstrated in "Meno" the ways in which the capacity to understand the world outside the world of the individual and his/her internal world includes the ability to interpret, characterize, and associate what individual identity with that of the group. Antigone -- Rebellion and Responsibility Initially, "Antigone" appears to be an obvious story of political dilemmas focusing on civil disobedience and civic responsibility, rather than the personal development and revolution of one woman. Despite classical assumptions and the typical reaction of modern cultures to view the character of Antigone as a perfect example of heroic resistance to tyranny, the play is not a political drama, but the battle of wills between two family members -- Creon and his niece Antigone. It does not take much of a leap of imagination to also see the story as a drama of male subjugation and female determination. Antigone affirms to Creon that the laws of heaven are "unwritten and unchanging, not of today or yesterday is their authority; they are eternal, no man saw their birth" (Antigone 456-459). ...

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