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Essay / Research Paper Abstract
A five page paper that critically examines cartoons featuring Mickey Mouse, Dumbo, Goofy, Donald Duck, and Pluto to determine why they were drawn, plots, propaganda, and what makes them integral parts of this golden age. Three sources are listed in the bibliography.
Page Count:
3 pages (~225 words per page)
File: TG15_TGdisney.rtf
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Unformatted sample text from the term paper:
(1901-1966) was the cartoon king of the golden age of American animation, which peaked from 1938 to 1945. Disney was a true Uncle Sam success story. Born and
raised in Middle America (born in Chicago and spent his childhood in Kansas City, Missouri), Disney had working-class roots and his artistic neighbors Mr. and Mrs. Walter Pfeiffer introduced him
to the infinite possibilities of cinema. After honing his craft drawing caricatures, comic strips, and commercial art along with his partner Ub Iwerks, he turned his attention to animation
during the 1920s. Disneys cartoon incarnations, which include Mickey Mouse, Dumbo, Goofy, Donald Duck, and Pluto among many others, were featured in some of the most lucrative films produced
during this era. But the cartoons that showcased these Walt Disney characters - Fantasia (1940), Dumbo (1941), Saludos Amigos (1942), Der Fuehrers Face (1942), and The Army Mascot (1942)
- represented cherished forms of entertainment and escapism from their own problems. For those who could afford the price of admission, these Disney cartoons offered superior animation, brilliant musical
scores, and engaging plots that ranged from slapstick and whimsical to patriotic and propagandistic. Walt Disneys Fantasia was his most ambitious and technically challenging cartoon to date.
He likely included Mickey Mouse among the series of vignettes because he considered the popular mouse his good-luck charm. Mickey was introduced to American audiences in the 1928 short
entitled Steamboat Willie, and was regarded as Walt Disney in animated form (Ostman 83). By the 1930s, Mickey Mouse became such a cultural icon that his creator admitted, "Hes
such an institution that were limited in what we can do with him. If we have Mickey kicking someone in the pants, we get a million letters from mothers
...