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Essay / Research Paper Abstract
11 pages in length. The self-referentiality of postmodern art was no more an the exclusivity of the elite but rather an open invitation for all walks of life to enjoy, engage in and interact with what has long been considered one of mankind's greatest moments of growth. Hot off the heels of what was most certainly an elitist movement of modernity, postmodern art very purposefully spoke to everyone while at the same embracing the oneness of self so consequential to the change. Maurizio Cattelan and Richard Serra are two artists who effectively illustrate this reachable tenet of postmodern art by creating works attainable to all without discriminatory undertones. Bibliography lists 15 sources.
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11 pages (~225 words per page)
File: LM1_TLCPMArtElite.rtf
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Unformatted sample text from the term paper:
to enjoy, engage in and interact with what has long been considered one of mankinds greatest moments of growth. Hot off the heels of what was most certainly an
elitist movement of modernity (Conley, 2004), postmodern art - and the artisans who helped to deliver this message - very purposefully existed for everyones benefit while at the same embraced
the oneness of self so consequential to the change. Maurizio Cattelan and Richard Serra are two artists of this changing period who effectively illustrate this reachable tenet of postmodern
art by creating works attainable to all without discriminatory undertones. " Modernism has been branded by postmodern philosophy as racist, sexist, elitist, classist, environmentally destructive, homophobic, exclusively Eurocentric, ageist,
and ableist. Postmodern critics maintain that the art world has been controlled by galleries, art schools, and museums that are managed, directed, supported, and staffed by males of European
ancestry who seem to share an aesthetic standard that they presume is universal" (Stinespring et al, 1995, p. 139). Postmodern discursive system
was a reaction to and critique of modernism, with particular emphasis upon modernisms elitist social, political and economic structure of upper and lower classification (Fulcher, 2001). The influence of
modernisms political and aesthetic projects of resistance and revolution, recooperation and universalism all played an integral role within the ultimate rise of the post-modernism movement, which encompassed the broad and
far-reaching aspects of art and architecture for all to enjoy (Hendin, 2003). II. BACKGROUND This era of postmodern thought was the breaking
free of certain social, political and economic strangulation that decreed all followers must abide by the same doctrines. The Enlightenment was one of the central tasks by which major
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