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Essay / Research Paper Abstract
A 7 page discussion of the dominant organizational patterns in the cinematic process. Discusses the four modes of production identified by Bill Nichols: expository, observational, interactive, and reflexive. Contends that the particulars of Nichols' four modes of production are related to historical circumstance and movement as well and utilizes “The Bicycle Thief” a 1940s film depicting the harsh realities of post-war Italy, to further explore the reflexive mode. Bibliography lists 4 sources.
Page Count:
7 pages (~225 words per page)
File: AM2_PPdocFlm.wps
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