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Essay / Research Paper Abstract
This 9 page paper examines pop art. Is it real art or kitsch? Is it realism or abstract art? These questions are discussed. Bibliography lists 20 sources.
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9 pages (~225 words per page)
File: RT13_SA842pop.rtf
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pop art is true art at all. McDannell explains that kitsch tries to be art, but it fails in that attempt (166). Kitsch does not have style, creativity, nuance or
imagination (McDannell 166). Yet, the concept of kitsch is important in the evaluation of pop art. Along these lines, a student asks: "To what extent do you consider pop art
to be realist or abstract, art or kitsch?" In essence, in the evaluation of pop art, one has to discern whether or not it is more akin to realism or
abstract art and also whether or not it can be considered art at all. First, what is pop art? Pop art is a genre considered to be associate with everyday
items (Rosenberg 108). To a large extent, the works are aligned with redoing things that are found in the real world (Rosenberg 108). Examples are Warhols bottles of Coca Cola
or the supply of a number of Mona Lisas (Rosenberg 108). Warhol is infamous for painting Campbells soup cans, which are of course found on supermarket shelves. Here, art is
aligned with the mundane. In effect, pop art uses things that are found in life and exploits them. Sometimes, the artist is making a political statement. Other times,
the artists are merely expressing an aesthetic point of view. Rosenberg remarks that no type of art has exceeded pop art in respect to its ability to be alert to
aesthetic cues (Rosenberg 108). Rosenberg claims that pop art embraces two worlds, which are popular and high-brow culture (Rosenberg 108). Historically, one can say that pop art became popular during
the 1960s (Rosenberg 108). Those entrenched in the movement claim that there was an interest in formal qualities (Rosenberg 108 -109). Gablik claims that one intention is to redefine pop
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